Category: Review

• The Solstice of Poignancy

  Through his solo exhibition, entitled Solstice, Vicky Saputra showcases the results of his solar pyrography practice. In a world that operates 24/7, he chooses to work for three hours a day and leaves the rest to the sun.

  

• You Promise Me Rage, Instead I Got ‘All That Is Sold Means Invoice Cair’

  Rage Against the Muchsin stages futility as an aesthetic strategy. Through gimmicks, memes, and useless machines, Argya Dhyaksa exposes how attention how the attention economy works.

  

• Library of Suspended Feelings

  Kareem Soenharjo compresses 22 works into a space thick with affect: claustrophobic interiors, proliferating colors, bodies that resist coherence. The exhibition depicts figures that are caught between internal storms and the pressure of the social gaze.

  

• The Sea is Barely Wrinkled: Sparking the Ripples of Colonialism with Kei Imazu

  Scouting traditional artistic techniques and digital technology became a way for Kei Imazu to navigate and dig history non-linearly. This Japanese artist who is based in Bandung invites reflection on human attachment to history, nature, and multi-layered time through his solo exhibition at the Museum Macan.

  

• Intersubjectivity in the Gen-Z Labyrinth

  Titik Kumpul Forum & Collective explores how myths about the workplace for the younger generation are formed through the exhibition “In(dies) Economy.”